The square sized images and the
principle of series is a recurring limitation of the work to relate to
the initiating material “paper napkin”. Every picture is reproduction
and original at the same time. And every single panel is a hidden
diptychon or tryptychon - possibly polyptychon. The limitation of the
square contains independence. The borders of a square are open borders.
Polyphony of genres
The Sisyphus painting series (1-3)
deals with a “trojan horse” of human beings since thousands of years:
the tragedy between possessive attacks and freedom:
1. The themes of the pictures sometimes are directly linked to motifs of a paper napkin like here:
2. There are as well many examples where the
material structure of the surface turns into the basis for unusual views
on independant themes like here:
3. Also there are pictures which are transporting the paper napkin as a massproduced cheap article like here:
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